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Vangelis - The City mp3 download
Vangelis - The City mp3 download
Performer: Vangelis
Title: The City
Country: US
Released: 1990
Style: Synth-pop, Ambient
Rating: 4.7/5
Format: MP3 FLAC AAC DXD MP2 MP1 AA MIDI VOC
FLAC size: 1401 mb | MP3 size: 1745 mb | WMA size: 1389 mb
Genre: Electronic

WMG; Bicycle Music Co. (Publishing), ASCAP, SourceAudio Holdings (music publishing), União Brasileira de Compositores, UBEM, LatinAutor - SonyATV, EMI Music Publishing, LatinAutor" и другие авторские общества (11). WMG; LatinAutor - SonyATV, ASCAP, EMI Music Publishing, UBEM, LatinAutor" и другие авторские общества (8).

The City is also one of Vangelis' more jazz-oriented albums and is a breeze to sit through. It also wouldn’t be out of place functioning as a film score for a documentary about urbanity and urban dwellers of a cosmopolitan city

Πολλών δ' ανθρώπων ίδεν άστεα και νόον έγνω. I saw the cities of many men, and learned their manners.

Vangelis : The City,альбом, рецезия, трек-лист, mp3, тексты песен. Лейблы WEA East West Records Atlantic Records. Музыкальный стильElectronic Rock. Владельцы этого альбома0.

Vangelis (born March 29, 1943) is a Greek composer and performer. He gained wide popularity after composing soundtracks to Chariots of Fire (1981) and Blade Runner (1982). Strictly not bootleg recordings as they appeared on a label, but they were released without Vangelis' permission and were later withdrawn from the market. 1973) L'Apocalypse des animaux.

Vangelis' city is cosmopolitan, tastefully blending exotic sounds and disembodied voices, at once futuristic yet reassuringly familiar. Where Direct was remote, The City is almost sensual; swiftly coursing rhythms and bursts of sensation create a tactile quality. As program music, it succeeds at connecting events seamlessly for the first half of the disc. Vangelis - The City (1990) EAC Rip FLAC (tracks+. cue+log) - 237 MB MP3 CBR 320 kbps (LAME . 3) - 114 MB Covers (12 MB) included Genre: New Age, Electronic RAR 3% Rec. Label: Atlantic (7 82248-2). This is a day in the life of a city, its denizens shaking off sleep and moving through the busy streets and promenades only to return home and (presumably) start the process all over again. Vangelis' city is cosmopolitan, tastefully blending exotic sounds and disembodied voices, at once futuristic yet reassuringly familiar.

play) (pause) (download) (fb) (vk) (tw). Vangelis - The City - 1990 Morning Papers. Vangelis - The City - 1990 Good To See You. 06:53. play) (pause) (download) (fb) (vk) (tw).

Vangelis, Philharmonic Wind Orchestra & Marc Reift, Bert Kaempfert, John Glenesk Mortimer. Light And Shadow: The Best Of Vangelis. Chariots of Fire-Theme for Solo Piano (From the Motion Picture score for "Chariots of Fire"). Vangelis, Mark Northam. The City of Prague Philharmonic Orchestra; London Music Works. Classics of the Future: The Music of Evanghelos 'Vangelis' Papathanassiou. New Electronic Soundsystem, Sonic Spheres Orchestra, Sonic Spheres OrchestraNew Electronic Soundsystem.

Tracklist Hide Credits

1 Dawn 4:16
2 Morning Papers 3:55
3 Nerve Centre 5:30
4 Side Streets 4:12
5 Good To See You
Voice – Kathy Hill
6:51
6 Twilight
Voice [In Japanese] – Kimura Rieko, Mikamo Yuko
4:57
7 Red Lights
Voice [In Japanese] – Kimura Rieko, Mikamo Yuko
3:55
8 Procession 9:33

Companies, etc.

  • Mastered At – 44.1
  • Phonographic Copyright (p) – WEA Records Ltd.
  • Copyright (c) – WEA Records Ltd.
  • Pressed By – TELDEC Record Service GmbH
  • Published By – Warner/Chappell Music, Inc.
  • Recorded At – Studio Mega
  • Pressed By – Record Service Alsdorf

Credits

  • Art Direction, Design, Illustration – The Red Tiger!
  • Composed By, Arranged By, Producer, Performer [Performed By] – Vangelis
  • Engineer – Frederick Rousseau*, Phillipe Colonna*
  • Engineer [Assistant] – Ras Baboo*, Florian*
  • Mastered By – Alain Marnat
  • Performer [Footsteps], Voice – Emmanuelle Seigner, Roman Polanski

Notes

Recorded at Hotel De La Ville, Rome and Mega Studios, Paris. Mastered at 44.1, Paris.
Special thanks to: John Martin, Paul Foster, Andrew Hoy, Ian Lane, Bill Marshall and Frederick Rousseau.

℗ 1990 WEA Records Ltd © 1990 WEA Records Ltd.
Made In Germany.

Packaging: Jewel Case with 8-page booklet.

Barcode and Other Identifiers

  • Barcode (Text): 0 9031-73026-2 1
  • Label Code: LC 1557
  • Rights Society: GEMA/BIEM
  • Matrix / Runout: 903173026-2 RSA
  • Matrix / Runout (Inner mould, variant 1): 18
  • Matrix / Runout (Inner mould, variant 2): 2/2
  • Matrix / Runout (Inner mould, variant 3): 10
  • SPARS Code: AAD
  • Price Code (France): WE 833

Other versions

Category Artist Title (Format) Label Category Country Year
A2 82248 Vangelis The City ‎(CD, Album) Atlantic, Atlantic A2 82248 US 1990
9031-73026-4, WX 398C, WX398C Vangelis The City ‎(Cass, Album) EastWest, EastWest, EastWest 9031-73026-4, WX 398C, WX398C UK & Europe 1990
A4 82248 Vangelis The City ‎(Cass) Atlantic A4 82248 US 1990
9031-73026-1 Vangelis The City ‎(LP, Album) EastWest 9031-73026-1 UK 1990
M173026-2 Vangelis The City ‎(CD, Album, RE) EastWest M173026-2 Brazil Unknown


Comments (5)
Ranicengi
I love this album. Years later, I still play it often and get the same Yamaha CS-80 Blade Runner bliss.
Meztisho
This is a relaxing melodic album, ideal to listen while reading a book or while having dinner, or even to help fall asleep. "Procession" is my favorite track in this album.
Voodoogore
Not a bad album whatsoever, it has the Yamaha CS-80 and definitely follows on from Direct, even some Blade Runner vibes here and there. If you like Direct, you will like this one. Give it a listen from start to finish and it will grow on you, I wouldn't touch this with a barge pole due to me favouring his earlier CS-80 albums, but now I love it!
Ienekan
I think it’s fair to say that some of Vangelis’ most accomplished works were recorded in the 1970s and 1980s. But this 1990 album remains underrated, even by loyal fans of his. Released in between Direct (1988) and his outstanding film score 1492: Conquest of Paradise (1992), The City is a concept album centering on urban life, by turns explosive and meditative, providing nearly 45 minutes worth of excellent electronic music, with seamless overlay of Vangelis' trademark voices and ambient sound recording e.g. footsteps, a motorcycle starting. Not to worry, these overlays do not make up more than 5 minutes of the total runtime. The City is also one of Vangelis' more jazz-oriented albums and is a breeze to sit through. It also wouldn’t be out of place functioning as a film score for a documentary about urbanity and urban dwellers of a cosmopolitan city. Such is Vangelis’ unparalleled skill in painting vivid soundscapes mainly through his synthesizers that you will find The City ending with 'Procession', a 9-minute long piece with a repetitive melody and chorus that grows increasingly intense, with more instruments layered on top of each other, coming full circle to the ambient sounds used in the first track 'Dawn', as if another day awaits, possibly anew, or possibly same old.Highlights:'Nerve Centre' - the album's 'noisiest' piece, a kind of heavy rock-inspired track with Vangelis simulating the electric guitar through synthesizers. It is wonderfully arranged, and ends off with the feeling that you are seeing fireworks of joy.'Good to See You' - perhaps the best track of the album with a slow jazzy rhythm that makes you feel like you are strolling along the sidewalk as night falls. One of Vangelis' most underrated compositions.
Kuve
Unfortunately even the greats have their 'off days'. This is one of those days for Vangelis. A musical evocation of a 'day in the life' of a 'City' has the makings of a good idea. Istanbul, Athens, Mumbai? Er it's hard to tell, the City is as anonymous as the music, generic and a bit flat. When things go up-tempo the melodies are well within the scope of this man's talent and the production is bland, the tracks segue in an uninteresting fashion and (worst of all) Vangelis never strays far from the presets on his synths. Why do I own this album? For tracks 5, 6 and 8, which despite all my gripes are lovely. 'Twilight' could have made it onto 'El Greco', it's that good.