The String Quartet No. 15 in G major, D. 887, was written by Franz Schubert in June 1826. It was posthumously published in 1851, as Opus 161. The piece is in four movements, and is about 50-55 minutes long: Allegro molto moderato (G major, in 3/4 time). Andante un poco moto (E minor, in common time). Scherzo: Allegro vivace (B minor, in 3/4 time) – Trio: Allegretto (G major). Allegro assai (G major, in 6/8 time).

Complete your Tokyo String Quartet, Franz Schubert collection. Quartet N. 5 In G . 87/Op. Allegro Molto Moderato. Andante Un Poco Moto.

Quartet N. 1. 2.

Quatuor à cordes n° 15 de Schubert; String Quartet No. 15; 弦楽四重奏曲第15番 (シューベルト); 15. Streichquartett; Quartet de corda núm. 15. Name Aliases. Quatuor n°15 (Franz Schubert); Quatuor à cordes n° 15 (schubert); Quatuor n°15 (franz schubert); Quatuor N°15 (Franz Schubert); Quatuor À Cordes N° 15 (Schubert); Quatuor a cordes n° 15 (Schubert); Quatuor à cordes n° 15 (Schubert); Quatuor a cordes. no 15 de Schubert; String Quartet in G Major, D. 887. Authorities.

Animated Brooding Energetic Lyrical Poignant Tense/Anxious Turbulent. Tokyo String Quartet.

Album · 1972 · 8 Songs. Franz Schubert String Quartet N. in D, . 4, String Quartet N. 2 in C Minor (Quartettsatz), . 03 String Quartet N. 3 in A Minor, D. 804 ('Rosamunde'). Shostakovich: Symphony No. 5 in D Minor, Op. 47 - Quartet No. 8 in C Minor, Op. 110. 2015. Beethoven: String Quartet N. in C Minor, O. 8 N. - EP.

By Franz Schubert, Amadeus Quartet. String Quartet N. 804 "Rosamunde": 1. Allegro ma non troppo. 804 "Rosamunde": 2. Andante. 3. 804 "Rosamunde": 3. Menuetto (Allegretto). 4. 804 "Rosamunde": 4. Allegro moderato. 5. 5 In G, D. 887: 1. 6. 887: 2. Andante un poco mosso

String Quartet N. 5 In G, . 87: Schubert: String Quartet No. Released by Decca (UMO) Aug 2015 4 Tracks.

Solo & Chamber Music. Schubert, String Quartet 15 in G-major. In a unique approach to sonata form, Schubert seems to co-evolve both theme areas in successive waves as each interrupts the other while internally growing more elaborate. Instead, there is contrast, expansion and variation in an endless matrix of sudden contrasts in modality, texture, dynamics, rhythm and mood. It is not until the last few bars that the battle finally yields to a briefly stable victory for G Major