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Jozef Van Wissem - New Lute Music For Film mp3 download
Jozef Van Wissem - New Lute Music For Film mp3 download
Performer: Jozef Van Wissem
Title: New Lute Music For Film
Country: Netherlands
Released: 2017
Style: Experimental
Rating: 4.8/5
FLAC size: 1729 mb | MP3 size: 1682 mb | WMA size: 1350 mb

Jozef van Wissem - The Purified Eye of the Soul Is Placed In the Circle of the Eternal Sun (02:24, 320Kb/s). Jozef van Wissem - Only Lovers Left Alive (03:28, 320Kb/s). Jozef van Wissem - The Day Is Coming (04:27, 320Kb/s). Jozef van Wissem - Temple Dance of the Soul (The Taste of Blood) (04:35, 320Kb/s). Jozef van Wissem - The Mystery of Heaven (04:44, 320Kb/s). Jozef van Wissem - Once More With Feeling (03:50, 320Kb/s). Jozef van Wissem - Our Hearts Condemn Us (05:26, 320Kb/s). Jozef van Wissem - Apology (04:00, 320Kb/s). Jozef van Wissem - Sola Gratia (05:04, 320Kb/s)  . Listen online and stay in a good mood. Org Album: New Lute Music for Film (2017).

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Jozef van Wissem: Dutch minimalist composer and lute player based in Brooklyn. In 2013 van Wissem won the Cannes Soundtrack Award for the score of Only Lovers Left Alive at the Cannes Film Festival. The Taste of Blood, Streets of Tangier, Sola Gratia (Part 1) и другие песни. Вся дискография, Радио, Концерты, рекомендации и похожие исполнители.

Filmmaker and musician Jim Jarmusch has announced a new album with his frequent collaborator, the lute player Jozef van Wissem. It’s called An Attempt to Draw Aside the Veil and it’s out February 8 via Sacred Bones. Listen to their new song Concerning the White Horse below. The duo has made multiple albums together. Their last was 2012’s The Mystery of Heaven.

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Van Wissem's debut album, Retrograde Renaissance Lute: A Classical Deconstruction, appeared on Persephone in 2000. He followed it with Narcissus Drowning in 2002. That album featured Fo¨llakzoid's Domingo Garcia-Huidobro, who directed the dreamlike 2012 film Partir to Live; Van Wissem also collaborated on the score, which was released in 2015 by Sacred Bones. When Shall This Bright Day Begin, featuring guest vocals by Zola Jesus, was released by Consouling Sounds in 2016. The same label released Nobody Living Can Ever Make Me Turn Back in 2017. Van Wissem reactivated Incunabulum for his 2017 release New Lute Music for Film. His third Consouling Sounds release, We Adore You, You Have No Name, followed in 2018.

IsraBox - Music is Life! New Albums 2019. Tracklist 1. Sola Gratia (05:04) 2. Apology (04:00) 3. Our Hearts Condemn Us (05:26) 4. Once More With Feeling (03:50) 5. The Mystery Of Heaven (04:44) 6. Temple Dance Of The Soul The Taste Of Blood (04:35) 7. The Day Is Coming (04:27) 8. Only Lovers Left Alive (03:28) 9. The Purified Eye Of The.


Sola Gratia
Our Hearts Condemn Us
Once More With Feeling
The Mystery Of Heaven
Temple Dance Of The Soul ( The Taste Of Blood)
The Day Is Coming
Only Lovers Left Alive
Love Destroys All Evil


Category Artist Title (Format) Label Category Country Year
INC023 Jozef Van Wissem New Lute Music For Film ‎(LP, Album, Ltd) Incunabulum INC023 Netherlands 2017
INC 023 CD Jozef Van Wissem New Lute Music For Film ‎(CD, Album, Ltd) Incunabulum INC 023 CD Netherlands 2017

Comments (1)
In recent years things have ramped up for lutenist Jozef Van Wissem. He’s grown his audience in Eastern Europe to the point where he keeps a residence in Poland. There have been cinematic and sonic collaborations with Domingo Garcia-Huidobro, Zola Jesus and Jim Jarmusch, and business dalliances with ATP Recordings, Sacred Bones, Crammed Discs and Consouling Sounds. But for this concert recording, made early in 2017 at the Meet Factory in Prague, Van Wissem is back to releasing his music on his own Incunabulum imprint. It never hurts to be able to fall back on your own resources, and this record wears its practicality quite literally on its sleeve. New Lute Music For Film sets you up with a few tunes from Jarmusch’s Only Lovers Left Alive that didn’t make it to the soundtrack CD, while its subtitle — Beyond Props — not only advertises Van Wissem’s availability to make more movie music, it tells you want kind of projects he wants. Having not only played on Only Lovers Left Alive soundtrack but also schooled actor Tom Hiddleston in lute technique, he wants to be more than a prop. If you’ll pardon the metaphorical shift, Van Wissem’s music is strong enough to be a main ingredient, not just a spice.The album catalogs his current strengths. It opens with a four-piece, fifteen and a half minute long sequence (billed as four separate tracks on the CD’s sleeve but correctly identified on the record’s Bandcamp page) that shows how years of road dogging have elevated his technique. His tone has never projected more boldly, and his dissonances have never been more pungent. He’s never walked the rigorous stair-steps of his palindromic compositions with more ease, and he’s equally sure-footed transitioning from tune to tune. Even his singing, never his strong suit, sounds more confident. It’s worth remembering that Van Wissem was active on Holland’s punk scene before he turned to the lute, and he applies punk’s phlegmy bluntness to lyrics that honor the challenge of being an authentic individual and promote the redemptive power of love. Bill MeyerJuly 20, 2017